Sutin’s debut at Boston Lyric Opera in the title role of Macbeth, and Marcello in Opera Fairbanks’ production of La Boheme. Highlights of the 2011-12 season include Mr. In 2013, he sang Giorgio Germont in La Traviata (Savonlinna Opera Festival, Finland), the title role of Rigoletto (Musica Viva, The Opera Society of Hong Kong), Konrad Nachtigall in Die Meistersinger von Nurmberg (Lyric Opera of Chicago), Tonio in I Pagliacci (Austin Lyric Opera), and Valentin in Faust (Boheme Opera of New Jersey). Other engagements for the 2014-15 season included Biterolf in Tannhäuser (Lyric Opera of Chicago),and Sharpless in Madama Butterfly (Hawaii Opera Theatre).
In 2014, Daniel Sutin sang the title role of Wozzeck at the Metropolitan Opera, stepping in at the last moment for an indisposed Thomas Hampson, and was the One-Eyed Brother in Die Frau ohne Schatten. In 2015-16, Daniel debuted the role of Jokanaan in Salome with the Detroit Symphony, sang Don Fernando in Fidelio with Cincinnati Opera, Iago in Otello with the Phoenicia Festival of Voice, Enrico Ashton in Lucia di Lammermoor with Boheme Opera of New Jersey, and covered the title role of Wozzeck and Alberich in Das Rheingold at Lyric Opera of Chicago, and Alberich in the complete Der Ring des Nibelungen at Washington National Opera. He also debuted with San Francisco Opera to cover Alberich in their complete Ring Cycle. Sutin’s engagements included Baron Scarpia in Boston Lyric Opera’s new production of Tosca, Giacomo in Giovanna d’Arco with Odyssey Opera, and his return to Chicago to cover Alberich in Siegfried. The 2018-19 season marked his debut with Arizona Opera as Giorgio Germont in La Traviata. Sutin covered the title role in Wozzeck at the Metropolitan Opera. Upcoming engagements include Don Fernando in Fidelio with Polish National Opera, and the title role in Rigoletto with Opera North. Baritone Daniel Sutin recently sang the role of the villainous police chief Baron Scarpia in the Northern Lights Music Festival’s critically acclaimed production of Tosca, the first North American opera production to be performed with social distancing.
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